Wednesday, March 2, 2011

பொம்மையை நீ கொஞ்சாதே
அதற்கு உயிர் வந்துவிட்டால்
யார் வளர்ப்பது
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ப்பைக் கொட்டியவர்கள்கூட
அள்ளிக்கொண்டு போகிறார்கள்
ஆனால் நீயோ உன்
உயர்தரப் புன்னகையைக் கொட்டிவிட்டு
அலட்சியமாய்ப் போகிறாயே

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த்தனைக் குதிரைசக்தி கொண்டதோ
என்னைச் சுற்றிச் சுழலடிக்கும்
உன் குதிரைவால் கூந்தல்

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நீ 
சுவெட்டர் போட்டிருப்பது
உனக்குக் குளிராமல் இருக்கவா
இல்லை
ஊருக்குக் குளிராமல் இருக்கவா

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தினந்தோறும்
குழந்தைக்கு ஆடை அணிவித்து
பள்ளிக்கு அனுப்பும் தாயைப்போல
ஒரு நாளாவது
உனக்கு ஆடை அணிவித்து
கல்லூரிக்கு அனுப்பவேண்டும்Megamind (Two-Disc Blu-ray/DVD Combo)

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நீயும் நீயும்
அடிக்கடி சந்தித்து
அப்படி என்னதான் பேசிக்கொள்வீர்கள்
கண்ணாடி முன்....Alone

Monday, February 28, 2011

Budget 2011: Govt may raise tax exemption limit

NEW DELHI: The government may raise the income tax exemption limit in the upcoming Budget to provide some relief to the taxpayer from inflation, Goldman Sachs said today. 

"Income tax relief can be provided to lower income brackets to compensate for inflation. This could take the form of raising the tax exemption limit from the current Rs 1.6 lakh," it said in a report. 

Presently, income up to Rs 1,60,000 is exempted from tax for individuals. For women and senior citizens, the limit is Rs 1,90,000 and Rs 2,40,000, respectively. 
Alone
Inflation continues to be a concern for the common man as well as the government. 
Medical Error
While the food inflation had touched 18.32 per cent in December, 2010, before being moderated to over 11 per cent this month, the overall inflation still stood above eight per cent as against the comfort level of 5-6 per cent. 

Goldman also expects the fiscal deficit for the current fiscal to reduce to 4.9 per cent of the GDP against 5.5 per cent estimated in Budget 2010-11. 

The reduction is largely due to the windfall on 3G telecom auctions and disinvestment proceeds. 

"For 2011-12, even with revenue measures and slower growth in expenditures, we expect the central deficit to be slightly higher at 5 per cent of GDP, largely as the one-off revenues would be considerably reduced", it said.

The government mobilised over Rs 100,000 crore from the 3G and Broadband Wireless Access (BWA) auctions in the current fiscal. 

Besides, the government raised over Rs 15,000 crore by listing Coal India on the bourses, apart from Rs 6,000 crore from Powergrid Corporation, MOIL , Engineers India , Shipping Corporation and Satluj Jal Vidyut Nigam Ltd, taking the disinvestment proceeds to over Rs 21,000 crore.Kindle 3G Wireless Reading Device, Free 3G + Wi-Fi, 3G Works Globally, Graphite, 6" Display with New E Ink Pearl Technology

Winners and Nominees for the 83rd Academy Awards

83rd Academy Awards Nominees

Actor in a Leading Role

  • Javier Bardem in “Biutiful”
  • Jeff Bridges in “True Grit”
  • Jesse Eisenberg in “The Social Network”
  • Colin Firth in “The King's Speech”
  • James Franco in “127 Hours”

Actor in a Supporting Role

  • Christian Bale in “The Fighter”
  • John Hawkes in “Winter's Bone”
  • Jeremy Renner in “The Town”
  • Mark Ruffalo in “The Kids Are All Right”
  • Geoffrey Rush in “The King's Speech”

Actress in a Leading Role

  • Annette Bening in “The Kids Are All Right”
  • Nicole Kidman in “Rabbit Hole”
  • Jennifer Lawrence in “Winter's Bone”
  • Natalie Portman in “Black Swan”
  • Michelle Williams in “Blue Valentine”

Actress in a Supporting Role

  • Amy Adams in “The Fighter”
  • Helena Bonham Carter in “The King's Speech”
  • Melissa Leo in “The Fighter”
  • Hailee Steinfeld in “True Grit”
  • Jacki Weaver in “Animal Kingdom”

Animated Feature Film

  • “How to Train Your Dragon” Chris Sanders and Dean DeBlois
  • “The Illusionist” Sylvain Chomet
  • “Toy Story 3” Lee Unkrich

Art Direction

  • “Alice in Wonderland”
    Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
  • “Harry Potter and the Deathly Hallows Part 1”
    Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
  • “Inception” 
    Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
  • “The King's Speech” 
    Production Design: Eve Stewart; Set Decoration: Judy Farr
  • “True Grit” 
    Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Cinematography

  • “Black Swan” Matthew Libatique
  • “Inception” Wally Pfister
  • “The King's Speech” Danny Cohen
  • “The Social Network” Jeff Cronenweth
  • “True Grit” Roger Deakins

Costume Design

  • “Alice in Wonderland” Colleen Atwood
  • “I Am Love” Antonella Cannarozzi
  • “The King's Speech” Jenny Beavan
  • “The Tempest” Sandy Powell
  • “True Grit” Mary Zophres

Directing

  • “Black Swan” Darren Aronofsky
  • “The Fighter” David O. Russell
  • “The King's Speech” Tom Hooper
  • “The Social Network” David Fincher
  • “True Grit” Joel Coen and Ethan Coen

Documentary (Feature)

  • “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
  • “Gasland” Josh Fox and Trish Adlesic
  • “Inside Job” Charles Ferguson and Audrey Marrs
  • “Restrepo” Tim Hetherington and Sebastian Junger
  • “Waste Land” Lucy Walker and Angus Aynsley

Documentary (Short Subject)

  • “Killing in the Name” Jed Rothstein
  • “Poster Girl” Sara Nesson and Mitchell W. Block
  • “Strangers No More” Karen Goodman and Kirk Simon
  • “Sun Come Up” Jennifer Redfearn and Tim Metzger
  • “The Warriors of Qiugang” Ruby Yang and Thomas Lennon

Film Editing

  • “Black Swan” Andrew Weisblum
  • “The Fighter” Pamela Martin
  • “The King's Speech” Tariq Anwar
  • “127 Hours” Jon Harris
  • “The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film

  • “Biutiful” Mexico
  • “Dogtooth” Greece
  • “In a Better World” Denmark
  • “Incendies” Canada
  • “Outside the Law (Hors-la-loi)” Algeria

Makeup

  • “Barney's Version” Adrien Morot
  • “The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
  • “The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)

  • “How to Train Your Dragon” John Powell
  • “Inception” Hans Zimmer
  • “The King's Speech” Alexandre Desplat
  • “127 Hours” A.R. Rahman
  • “The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)

  • “Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
  • “I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
  • “If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
  • “We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Best Picture

  • “Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
  • “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
  • “Inception” Emma Thomas and Christopher Nolan, Producers
  • “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
  • “The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
  • “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
  • “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
  • “Toy Story 3” Darla K. Anderson, Producer
  • “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
  • “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers

Short Film (Animated)

  • “Day & Night” Teddy Newton
  • “The Gruffalo” Jakob Schuh and Max Lang
  • “Let's Pollute” Geefwee Boedoe
  • “The Lost Thing” Shaun Tan and Andrew Ruhemann
  • “Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Short Film (Live Action)

  • “The Confession” Tanel Toom
  • “The Crush” Michael Creagh
  • “God of Love” Luke Matheny
  • “Na Wewe” Ivan Goldschmidt
  • “Wish 143” Ian Barnes and Samantha Waite

Sound Editing

  • “Inception” Richard King
  • “Toy Story 3” Tom Myers and Michael Silvers
  • “Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
  • “True Grit” Skip Lievsay and Craig Berkey
  • “Unstoppable” Mark P. Stoeckinger

Sound Mixing

  • “Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
  • “The King's Speech” Paul Hamblin, Martin Jensen and John Midgley
  • “Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
  • “The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
  • “True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Visual Effects

  • “Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
  • “Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
  • “Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell
  • “Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
  • “Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Writing (Adapted Screenplay)

  • “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
  • “The Social Network” Screenplay by Aaron Sorkin
  • “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
  • “True Grit” Written for the screen by Joel Coen & Ethan Coen
  • “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Writing (Original Screenplay)

  • “Another Year” Written by Mike Leigh
  • “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
    Story by Keith Dorrington & Paul Tamasy & Eric Johnson
  • “Inception” Written by Christopher Nolan
  • “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
  • “The King's Speech” Screenplay by David Seidler

Sunday, February 20, 2011


In a new book, Vaclav Smil explains the energy transitions that have driven social, economic and technological change worldwide over time. He also discusses the evolving shift from fossil fuels to renewables.
Vaclav Smil has written another important book on energy which is quite amazing. Although there are a lot of important books about energy, as an author Smil is in a class by himself in terms of breadth and depth.

His latest book, Energy Transitions: History, Requirements, Prospects, is only about 175 pages and very readable, although like all of Smil books you have to be comfortable with lots of numbers, since the topic requires them. The various units that energy and power are measured in can often confuse things.

In Energy Transitions, Smil explains the third great energy transition, which occurred over the last several hundred years and included the shift from wood to coal, and the rise of oil and natural gas. As he notes, this transition from biomass to fossil fuels “has been the very essence of modernization.” The first great energy transition was the mastery of fire and the second was associated with the move from foraging to sedentary crop raising and domestication of animals. This third transition really only got going in the late 19th century and did not affect most of humanity until well into the 20th century.

Smil computes the relative energy generated by humans and animals, and early “inanimate” energy technology such as wind power and water power before steam engines came along. And he shows what a small percentage of energy was produced by these inanimate technologies until the late 1800’s, except in the UK.

For each fuel type and each big application Smil explains the key breakthroughs. For natural gas it included new steel alloys, better welding, better pipe-laying, and new compressors invented after World War II. Smil points out that the time between the invention of a new energy technology and its widespread use is usually many decades. In the case of liquefied natural gas, for example, it was almost 100 years.

One section of the book discusses how energy transitions varied in different countries. For example, the Netherlands used its peat resources and wind for early energy intensification. The U.S. was slow to switch to coal – with coal surpassing wood as a primary fuel source only in the 1890’s. Although each of these countries faced very different circumstances in the evolution of their energy technologies, globalization means that our energy challenges going forward are shared.

In the final pages of the book Smil talks about what to expect from the fourth great energy transition, which we have just started. He shows that despite the desire for change “neither its pace not its compositional and operational details are yet clear.”

Smil makes clear the challenges involved in making renewable sources anywhere near as cheap as today’s high carbon energy. He describes the much lower power density of renewable sources and the challenges associated with location, intermittency, storage, and transmission. The intermittency/storage point is one I think he could have made even stronger. Even though this section overlaps with the other energy book he published this year (Energy Myths and Realities) it is still very much worth reading.

The book ends with Smil expressing disappointment that the U.S. and other wealthy countries have not done more to reduce energy usage. This is an important point, but I wish he had ended with a more detailed discussion of the fourth transition. While some people might not agree with everything Smil says, he has certainly taught me that, even with needed improvements in energy efficiency, it will be very difficult to get adequate amounts of cheap, carbon-neutral power to the poor very quickly, critical as that goal is.

Bill first wrote about digital money 15 years ago in his book “The Road Ahead”. These days, he’s excited about financial services being offered in Africa over mobile phones. They provide an easy, safe and affordable way for millions of poor people to send, receive and store money.
When I visited Kenya last December I had a chance to observe M-PESA, which is a mobile money service that is being used by more than 13 million people for storing and transferring money. Services like M-PESA are exciting because financial services of any kind have been available to only 10 percent of the 2.5 billion people who live on less than $2 per day. M-PESA showed me a new world of possibility brought by that great piece of technology, the mobile phone. A recent study found, among other things, that M-PESA allows users to maintain steady levels of consumption, particularly of food, through shocks such as job loss, illness, harvest failure and livestock deaths.

This sense of promise and excitement came through loudly in a recent foundation-hosted Global Savings Forum, which explored a number of approaches to solving the micro-savings challenge.

I participated in a panel discussion about the types of partnerships that can take financial services to every household in developing countries. We discussed how technology-enabled models can allow service providers to focus on particular services or customer segments, and scale them up quickly.

The panel included representatives of different kinds of financial service providers, including a national commercial bank (Equity of Kenya), a global association of community-based banks (World Council of Credit Unions), a promoter of informal village-level savings and loan associations (CARE), and the mobile phone company behind the most successful deployment of mobile financial services to date (Safaricom of Kenya). The panel also included representatives of a global online payments provider (PayPal) and solution providers (MPower Labs and Obopay).

The discussion began with the dynamic duo of Michael Joseph, outgoing CEO of Safaricom, and James Mwangi, CEO of Equity Bank, talking about their prominent M-KESHO partnership. They have developed a jointly-branded service that connects Equity Bank accounts with M-PESA’s powerful network.

I was interested to hear from both Mr. Joseph and Mr. Mwangi about the challenges involved in such a competitive yet cooperative joint product offering. Both are extremely protective of the powerful brands they have created, and putting them together without diluting either is a concern. I very much welcomed their challenge to other telcos and banks to be bold in their approach.

I was also struck by how Brian Branch, CEO of the World Council of Credit Unions, recognized that scale is a problem for the smaller community-based banks he represents, but also an opportunity. They are seeking ways to band together to find common technology solutions and partner with bigger players with national payment platforms such as Safaricom. This way they can remain true to the interests of the local communities they serve, offering more services at a lower cost.

Technology can be a major force to advance financial inclusion, which can help improve the lives of the poor in the developing world. This is an important focus of the foundation’s efforts. At the Global Savings Forum, we pledged $500 million over five years to help create access to savings accounts that will help increase the financial security of the world’s poorest.

I’m personally very excited about these efforts, which have the potential to replicate in other key markets. As I mentioned at the forum, I look forward to seeing similar partnerships replicate at scale in big countries such as India, Ethiopia and Nigeria.

Computers accept data in the form of ones and zeroes. Why can’t they understand normal language?

Bill

Ones and zeroes are the most basic language that we use to write instructions to tell computers how to do things we want them to do. The more complicated the task is, the harder it is to write instructions that get the results we want.

As it turns out, human language is one of the hardest challenges in computer science. People pronounce the same words in different ways. Words that sound the same have different meanings. The same sentence can have very a different meaning depending on how you say it. It’s very hard to use ones and zeros to convey all the subtle differences in language that are very easy for people to understand.

The good news is that we are making great progress in this area today. Soon, I think we’ll see computer programs that really understand what you say and answer in ways that sounds very human.
Friends,parties,canteen,library,classes (some boring), cinemas which saw those days, boy/gIrl friends ,strike, fight between students, Mass bunk, friday movies,enjoying group, arguments,freshers day and farewell day with tears....." College life is nothing, but a heaven"...... Those days are unforgettable,.come on share ur college life with us.


School life Vs College life.

School: 1 colored dress for 100s of days

College: 100 colored dresses for 1 day

School: 2 note books for 1 subject

College: 1 notebook for all subjects

School: white pipe in teacher's hand (chalk)

Coll: white pipe in student's hand (cigarette)

School: Most frequent letter-Leave letter

College: Most frequent letter - Love letter

School: if we go itz boring

college :if we dont go its boring

SO ENJOY.